Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance 2024 Review: A Triumph Is Seen in All its Complexity in Stephen Maing and Brett Story’s “Union”
ReviewsSundance·3 min readSundance 2024 Review: Nathan Silver’s “Between the Temples” Aims for the Heart
ReviewsSundance·3 min readSundance 2024 Review: Michael Dweck & Gregory Kershaw’s “Gaucho Gaucho” Is At Home on the Range
ReviewsSundance·3 min readSundance 2024 Review: “Agent of Happiness” Finds Its Own Way to Contentment
ReviewsSundance·3 min readSundance 2024 Review: Obscene Wealth Becomes a Silent Killer in “Veni Vidi Vici”
Reviews·2 min readDances With Films 2023 Review: A Parolee Finds Redemption Hard to Come By in “Can’t Seem to Make You Mine”
DOC NYCReviews·2 min readDOC NYC 2023 Review: A Life Becomes a Work of Art in Lea Glob’s “Apolonia, Apolonia”
DOC NYCReviews·3 min readDOC NYC 2023 Review: Tremendous Loss Gives a Young Refugee Perspective in “Mediha”
DOC NYCReviews·3 min readDOC NYC 2023 Review: “Uncropped” Leaves Nothing Out of the Frame in a Captivating Portrait of Photographer James Hamilton
DOC NYCReviews·3 min readDOC NYC 2023 Review: “Shari and Lamb Chop” Celebrates a Puppeteer Who Didn’t Always Have the Upper Hand
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”