August 20, 2026 Andrius Blaževičius on Reimagining a Conflict Zone in “How to Divorce During the War”
August 20, 2026 Andrius Blaževičius on Reimagining a Conflict Zone in “How to Divorce During the War”
August 13, 2025 Locarno Film Fest 2025 Review: André Hörmann’s “The Cowboy” Shows a Young Man Saddled Beyond His Years
August 9, 2025 Locarno Film Fest 2025 Review: Children Are the Future in Ben Rivers’ Inspired “Mare’s Nest”
August 9, 2025 Locarno Film Fest 2025 Review: Elsa Kremser and Levin Peter’s “White Snail” Gets at an Unexpectedly Sticky Relationship
August 18, 2024 Locarno Film Fest 2024 Review: A Tragedy Has Unexpected Consequences in Laurynas Bareiša’s Inventive “Drowning Dry”
August 17, 2024 Locarno 2024 Review: A Virtuoso Emerges in Marco Tullio Giordana’s Masterful “The Life Apart”
August 15, 2024 Locarno Film Fest 2024 Review: Tato Kotetishvili’s “Holy Electricity” Delivers a Transformative Surge
August 11, 2024 Locarno Film Fest 2024 Review: Courtney Stephens and Callie Hernandez’s Ingenious “Invention” Has a Lot to Process
August 10, 2024 Locarno Film Fest 2024 Review: A Family Is Pulled Apart in Slow Motion in César Díaz’s Compelling “Mexico 86”
August 10, 2024 Locarno Film Fest 2024 Review: A Grim Start Leads to Lotfi Achour’s Rewarding “Red Path”
August 10, 2024 Locarno Film Fest 2024 Review: Ramon Zürcher’s Family Drama “The Sparrow in the Chimney” Gets On Like a House on Fire
August 8, 2024 Locarno Film Fest 2024 Review: A Life Spent Plotting Out Every Detail Becomes a Crime in Christoph Hochhäusler’s “Death Will Come”
