January 15, 2025 Stephen Gerard Kelly and Garry Keane on Putting Face to a Desperate Situation in “In the Shadow of Beirut”
January 15, 2025 Stephen Gerard Kelly and Garry Keane on Putting Face to a Desperate Situation in “In the Shadow of Beirut”
September 13, 2020 Venice 2020 Review: Hilal Baydarov’s “In Between Dying” Offers the Great Comfort of Strangers
September 9, 2020 Venice Film Fest 2020 Review: Cold Hard Facts Are Accompanied By Plenty of Warmth in Jing Wang’s Hopeful “The Best is Yet to Come”
September 8, 2020 Venice Film Fest 2020 Review: When a City Burns, Azra Deniz Okyay Summons the Fire Within in the Fierce “Hayaletler”
September 8, 2020 Venice Film Fest 2020 Review: Borders Come in All Forms in Ameen Nayfeh’s Heartfelt “200 Meters”
September 8, 2020 Venice Film Festival 2020 Review: A Look Underground Brings Clarity to the Harsh World Above in Logan George and Celine Held’s Brilliant “Topside”
September 7, 2020 Venice Film Fest 2020 Review: A Shadowy System is Cast in a Refreshing New Light in Andrei Konchalovsky’s “Dear Comrades”
September 6, 2020 Venice Film Fest 2020 Review: Mona Fastvold’s “The World to Come” Opens Up Closed Minds on the Prairie
August 31, 2011 Flashback: Al Pacino on His “Amateur Status” As a Director on the Eve of “Wilde Salome”‘s Premiere in Venice
