May 20, 2026 Cannes 2026 Review: The Consciousness of a Tragedy Takes Shape in Fascinating Ways in Bruno Santamaria Razo’s Brilliant “Six Months in a Pink and Blue Building”
May 20, 2026 Cannes 2026 Review: “Dernsie: The Amazing Life of Bruce Dern” Finally Casts an Actor in the Right Light
May 20, 2026 Cannes 2026 Review: Jorge Thielen Armand’s “Death Has No Master” Eerily Brings the Stain of a Colonial Past Into the Present
May 20, 2026 Cannes 2026 Review: The Consciousness of a Tragedy Takes Shape in Fascinating Ways in Bruno Santamaria Razo’s Brilliant “Six Months in a Pink and Blue Building”
May 20, 2026 Cannes 2026 Review: “Dernsie: The Amazing Life of Bruce Dern” Finally Casts an Actor in the Right Light
May 20, 2026 Cannes 2026 Review: Jorge Thielen Armand’s “Death Has No Master” Eerily Brings the Stain of a Colonial Past Into the Present
September 8, 2022 Venice Film Fest 2022 Review: A Casting Director is Recognized for Her Star Quality in “Bonnie”
September 8, 2022 Venice Film Fest 2022 Review: An Air of Mystery Gives the Room to Breathe in Laura Citarella’s Bewitching “Trenque Lauquen”
September 5, 2022 Venice Film Fest 2022 Review: A Moral Compass Takes “To The North” in Interesting Directions
September 4, 2022 Venice Film Fest 2022 Review: “Blanquita” Finds Truth Amidst a Host of Ulterior Motives
September 3, 2022 Venice Film Fest 2022 Review: A Gardener Confronts Obstacles to Growth in “Beating Sun”
September 3, 2022 Venice Film Fest 2022 Review: “Casa Susanna” Uncovers a Hideaway Where It Was Possible to Live Openly
September 3, 2022 Venice Film Fest 2022 Review: A Life of Inner Peace May Have Prevented a Nuclear War in “A Compassionate Spy”
September 2, 2022 Venice Film Fest 2022 Review: An Engagement Leads to Estrangement in “Valeria is Getting Married”
September 2, 2022 Venice Film Fest 2022: Slivers of a Legendary Life Truly Become “Fragments of Paradise”
