Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTribeca Film Festival·11 min readTribeca 2020 Interview: Brea Grant on Scrubbing In for the Bloody Fun of “12 Hour Shift”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: A Family’s Search for Refuge Leads to Unfamiliar Places in Dea Gjinovci’s “Wake Up on Mars”
ReviewsTribeca Film Festival·3 min readTribeca 2020 Review: Kristine Stolakis’ “Pray Away” Gives New Meaning to Preaching to the Converted
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: Prospective Parents Make Peace with Chaos in Joshua Leonard’s “Fully Realized Humans”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: Gerardo Naranjo’s Return to His Roots Proves Rejuvenating in “Kokoloko”
ReviewsTribeca Film Festival·2 min readTribeca 2020 Review: “Ottolenghi and the Cakes of Versailles” is Something to Savor Layer By Layer
ReviewsTribeca Film Festival·3 min readTribeca 2020 Review: Out of One Prison, A Woman Enters Another in Jessica Earnshaw’s Powerful “Jacinta”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”