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Tooth and Nail

SXSW ’18 Interview: Sara Shaw on Making a Film Worth Fighting for with “Tooth and Nail”

On putting her best face forward to return behind the camera after making her mark as an editor and opening up to tell the story of a tragedy within her family.

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Tribeca 2021 Interview: Dan Chen on the Hard-Earned Education of “Accepted”

Tribeca 2021 Interview: Lauren Hadaway on Having a Row in “The Novice”

Prano Bailey-Bond on the Catharsis of Getting Nasty in “Censor”

Tribeca 2021 Review: Jessica Kingdon’s “Ascension” Offers a Rich Portrait of Contemporary China

Tribeca 2021 Review: A City Reawakens in Elisabeth Vogler’s Astonishing Lucid Dream “Roaring 20s”

Tribeca 2021 Review: An Author Gets a Chance to Rewrite Her Destiny in Adam Leon’s Vibrant “Italian Studies”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
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How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

Tribeca 2021 Review: “As of Yet” Reveals a Talent That’s Worth the Wait

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Tribeca 2021 Interview: Lauren Hadaway on Having a Row in “The Novice”

Tribeca 2021 Review: History Catches Up with A Community in the Fresh Thriller “No Running”

Tribeca 2021 Review: A Polarizing Prison Reform Advocate Fights His Own Isolation in “The First Step”

Tooth and Nail

SXSW ’18 Interview: Sara Shaw on Making a Film Worth Fighting for with “Tooth and Nail”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies