October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 11, 2026 TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 11, 2026 TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
January 22, 2018 Sundance ’18 Review: Chloe Sevigny and Kristen Stewart Have an Axe to Grind in Craig William MacNeill’s Killer “Lizzie”
January 21, 2018 Sundance ’18 Review: Professional Disappointment Leads to Personal Cinematic Triumph in Sandi Tan’s “Shirkers”
January 21, 2018 Interview: Sebastián Hofmann on Taking Audiences For a Trip in “Tiempo Compartido (Time Share)”
January 21, 2018 Sundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
January 20, 2018 Sundance ’18 Review: Open Ears Lead to Open Hearts in Alexandria Bombach’s Powerful “On Her Shoulders”
January 20, 2018 Sundance ’18 Interview: Cristina Costantini & Darren Foster on Their Grand Experiment of “Science Fair”
January 19, 2018 Sundance ’18 Review: Bridey Elliott Scares Up the Horror of a Family Weekend in “Clara’s Ghost”
January 19, 2018 Sundance ’18 Interview: Anna Margaret Hollyman on the Birth of “Maude” and a Career in Directing
