SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Uncategorized·2 min readSundance ’18 Review: Chloe Sevigny and Kristen Stewart Have an Axe to Grind in Craig William MacNeill’s Killer “Lizzie”
InterviewsSundance·9 min readInterview: Sebastián Hofmann on Taking Audiences For a Trip in “Tiempo Compartido (Time Share)”
ReviewsSundance·2 min readSundance ’18 Review: “The Kindergarten Teacher” Delivers a Hell of an Education
InterviewsSundance·10 min readSundance ’18 Interview: Cristina Costantini & Darren Foster on Their Grand Experiment of “Science Fair”
InterviewsSundance·18 min readSundance ’18 Interview: Anna Margaret Hollyman on the Birth of “Maude” and a Career in Directing
ReviewsSundance·3 min readSundance ’18 Review: Professional Disappointment Leads to Personal Cinematic Triumph in Sandi Tan’s “Shirkers”
ReviewsSundance·3 min readSundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria
ReviewsSundance·3 min readSundance ’18 Review: Open Ears Lead to Open Hearts in Alexandria Bombach’s Powerful “On Her Shoulders”
ReviewsSundance·2 min readSundance ’18 Review: “Three Identical Strangers” Delivers One Incredible Story
ReviewsSundance·3 min readSundance ’18 Review: Bridey Elliott Scares Up the Horror of a Family Weekend in “Clara’s Ghost”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”