September 22, 2026 TIFF 2026 Review: A Catholic Schoolgirl Tries to Stay Faithful Amidst Her Parents’ Divorce in Lindsay Lanzillotta’s Amusing “Purgatory”
September 22, 2026 TIFF 2026 Review: Feng-I Fiona Roan’s Charming “Happily Ever After” Sees a Pair of Sisters Take Different Roads to Success
September 22, 2026 TIFF 2026 Review: Raul Garcia and Ervin Han’s Resonant “The Violinist” Speaks to Life in Singapore Under Occupation
September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 22, 2026 TIFF 2026 Review: A Catholic Schoolgirl Tries to Stay Faithful Amidst Her Parents’ Divorce in Lindsay Lanzillotta’s Amusing “Purgatory”
September 22, 2026 TIFF 2026 Review: Feng-I Fiona Roan’s Charming “Happily Ever After” Sees a Pair of Sisters Take Different Roads to Success
September 22, 2026 TIFF 2026 Review: Raul Garcia and Ervin Han’s Resonant “The Violinist” Speaks to Life in Singapore Under Occupation
September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
January 29, 2018 Sundance ’18 Review: Pattinson, Wasikowska Shine in a Lovely Western That Eschews Romance in “Damsel”
January 28, 2018 Sundance ’18 Interview: Mor Loushy and Daniel Sivan on Finding Overtures of Peace in the Pages of “The Oslo Diaries”
January 28, 2018 Sundance ’18 Review: Desiree Akhavan Goes Electric in the Brilliant Gay Conversion Drama “The Miseducation of Cameron Post”
January 27, 2018 Sundance ’18 Review: Jeremiah Zagar Tears Up the Coming-Of-Age Formula with the Ferocious “We the Animals”
January 26, 2018 Sundance ’18 Review: “Minding the Gap” Beautifully Articulates the Space Between Fathers and Sons
January 25, 2018 Sundance ’18 Review: Director Christina Choe Shows She’s the Real Deal with the Bewitching Imposter Tale “Nancy”
January 24, 2018 Sundance ’18 Interview: Cameron Yates & Laura Coxson on the Complex Recipe That Went Into Making “Chef Flynn”
