DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
ReviewsSundance·3 min readSundance ’18 Review: Pattinson, Wasikowska Shine in a Lovely Western That Eschews Romance in “Damsel”
ReviewsSundance·2 min readSundance ’18 Review: You’ll Want to Spend “An Evening with Beverly Luff Linn”
ReviewsSundance·4 min readSundance ’18 Review: “Minding the Gap” Beautifully Articulates the Space Between Fathers and Sons
ReviewsSundance·3 min readSundance ’18 Review: Director Christina Choe Shows She’s the Real Deal with the Bewitching Imposter Tale “Nancy”
InterviewsSundance·11 min readSundance ’18 Interview: Cathy Yan on Breathing Life Into the Delightful “Dead Pigs”
InterviewsSundance·8 min readSundance ’18 Interview: Mor Loushy and Daniel Sivan on Finding Overtures of Peace in the Pages of “The Oslo Diaries”
ReviewsSundance·4 min readSundance ’18 Review: Desiree Akhavan Goes Electric in the Brilliant Gay Conversion Drama “The Miseducation of Cameron Post”
ReviewsSundance·3 min readSundance ’18 Review: Jeremiah Zagar Tears Up the Coming-Of-Age Formula with the Ferocious “We the Animals”
ReviewsSundance·2 min readSundance ’18 Review: Hannah Fidell’s “The Long Dumb Road” is One Smart Comedy
InterviewsSundance·10 min readSundance ’18 Interview: Cameron Yates & Laura Coxson on the Complex Recipe That Went Into Making “Chef Flynn”
InterviewsSundance·14 min readInterview: Michael Dweck on the Drive to Keep Going with “The Last Race”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”