The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    L.A. Asian Pacific Film Fest 2021 Interview: Suzanne Joe Kai on Making a Doc Rock with “Like a Rolling Stone: The Life and Times of Ben Fong-Torres”

    L.A. Asian-Pacific Film Fest Interview: Sujata Day and Ritesh Rajan on a Different Way to Spell Success in “Definition, Please”

    Amalia Ulman on Having the World on a String with “El Planeta”

  • Reviews
    Reviews

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    L.A. Asian-Pacific Film Fest Interview: Sujata Day and Ritesh Rajan on a Different Way to Spell Success in “Definition, Please”

    TIFF 2021 Review: A Disappearance Reveals a Criminal Network in Justin Lerner’s Harrowing “Cadejo Blanco”

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Playing God: 13 Actors Who Dared To Be the Deity in Movies

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Ryusuke Hamaguchi

BerlinaleReviews

Berlinale 2021 Review: Love Lies Below Ryusuke Hamaguchi’s Enchanting “Wheel of Fortune and Fantasy”

An omnibus from the writer/director of "Happy Hour" and "Asako I and II" continues a unique view of relationships, including the ones we have with ourselves.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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