February 11, 2026 Sundance 2026 Review: The Real Journey Begins After Migration Ends in Itab Azzam and Jack MacInnes’ Compelling “One in a Million”
February 11, 2026 Sundance 2026 Review: Hossein Keshavarz and Maryam Ataei’s “The Friend’s House is Here” Offers a Warm Welcome to a Place Artists Aren’t Often
February 9, 2026 Sundance 2026 Review: Judd Ehrlich’s “Jane Elliott Against the World” Demonstrates the Power of Persistence
February 11, 2026 Sundance 2026 Review: The Real Journey Begins After Migration Ends in Itab Azzam and Jack MacInnes’ Compelling “One in a Million”
February 11, 2026 Sundance 2026 Review: Hossein Keshavarz and Maryam Ataei’s “The Friend’s House is Here” Offers a Warm Welcome to a Place Artists Aren’t Often
February 9, 2026 Sundance 2026 Review: Judd Ehrlich’s “Jane Elliott Against the World” Demonstrates the Power of Persistence
September 12, 2018 Interview: James D. Stern on the Conversation We Need to Be Having with “American Chaos”
June 19, 2016 Frameline ’16 Interview: Jonah Markowitz on Charting the Groundwork for Gay Marriage in “Political Animals”
November 5, 2014 Review: A Natural Born Leader Transcends Being an Unnatural Politician in “True Son”
September 27, 2012 Interview: Stephen Gyllenhaal on the “Grassroots” Effort Behind His San Diego Film Fest-Bound Comedy
February 27, 2012 Kickstart This! – Ryan Murdock’s “The Audacity of Louis Ortiz,” a Timely, Unlikely Look at the American Dream
