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Edith Hill and Eddie Harrison in "Edith and Eddie"

True/False ’17 Interview: Laura Checkoway on “Edith+Eddie”

The director talks about how her plans to tell the love story of the oldest interracial newlyweds in America unexpectedly turned into a riveting legal drama.

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Ursula Meier on Pushing Boundaries with “The Line”

Jean-Pierre and Luc Dardenne on Building Momentum in “Tori & Lokita”

Raj Patel and Zak Piper on Planting Seeds of Inspiration in “The Ants and the Grasshopper”

SXSW 2023 Review: “The Arc of Oblivion” Navigates a Flood of Ideas About Cultural Preservation

SXSW 2023 Review: “Queendom” Artfully Takes on a Kingdom in Russia

SXSW 2023 Review: It’s the Journey, Not the Destination in the Fascinating “Last Stop Larrimah”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How Alice Rohrwacher Fashioned a Christmas Tale That Takes the Cake in “Le Pupille”

A Cut Above: How Mark Pellington Went a Little Further to Finally Be Satisfied with “Going All the Way”

Francine McDougall on Rolling the Dice with “Sugar & Spice”

Lizzie Gottlieb on Making One for the Books in “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb”

Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

Ursula Liang on a Straight Shooter Who Took on the World in “Jeanette Lee Vs.”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Austin Film Fest ’18 Review: Personal Truths Shine Through in Daniel Laabs’ Moving “Jules of Light and Dark”

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True/False ’17 Interview: Laura Checkoway on “Edith+Eddie”

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies