The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Camden Film Fest 2021 Interview: Megan Gilbride and Drew Xanthopoulos on the Reverberations of “Fathom”

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

  • Reviews
    Reviews

    Camden Film Fest 2021 Review: A Down to Earth Approach Brings Out Nature’s Majesty in “The Velvet Queen”

    Camden Film Fest 2021 Review: A Son Takes on His Own Summit to Understand His Father in “Torn”

    TIFF 2021 Review: The Devil Wears White in Fabrice du Welz’s Delicious Thriller “Inexorable”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

  • Trending
    NowWeekMonth

    TIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”

    TIFF 2021 Review: A Musician Must Find His Rhythm Amidst the Blues in Thyrone Tommy’s Rapturous “Learn to Swim”

    Jessica Beshir on Exploring Sacred Spaces in “Faya Dayi”

    TIFF 2021 Review: Clio Barnard’s Irresistibly Jubilant “Ali & Ava” Charts a Delicate Dance Towards Romance

    Cliff Curtis in "The Dark Horse"

    Interview: James Napier Robertson on Betting on “The Dark Horse”

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Khalik Allah

A scene from Khalik Allah's "Black Mother"
Interviews

Interview: Khalik Allah on Capturing a Family Portrait of a Nation with “Black Mother”

The filmmaker talks about taking a snapshot of Jamaica to reveal its beauty amidst all of its many contradictions.
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A scene from Khalik Allah's "Black Mother"
ReviewsTrue/False

True/False ’18 Review: Khalik Allah’s “Black Mother” Births a New Consciousness

A brilliant reconciliation of how to express the shared experience of a country and the individual perspectives of its diverse citizenry in an enthralling vision of Jamaica.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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