The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

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    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Tribeca 2022 Review: “Of Medicine and Miracles” Brings the Excitement of a Scientific Breakthrough From the Inside Out

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

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Karim Ainouz

Interviews

Interview: Karim Aïnouz on Getting at the Tangible Emotion in “Invisible Life”

The director talks about revealing the stories of those who were deprived of their voice in their time.
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Reviews

Chicago Film Fest ’19 Review: Karim Aïnouz’s “The Invisible Life” Thrillingly Brings a Sisterhood to the Surface

A shared experience denied to a pair of siblings vividly connects to an audience in this resplendent drama set in 1950s Rio de Janeiro.
Read Story
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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