September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 20, 2026 TIFF 2026 Review: You Have to Respect the Hustle in Deanté Gray’s Vibrant “Voices”
September 19, 2026 TIFF 2026 Interview: Hanaël El Yousfi on Starting a Dialogue with “The Daughters of Abraham”
September 19, 2026 TIFF 2026 Review: Michaël R Roksam’s Riveting Resistance Drama “Le Faux Soir” is the Real Deal
September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 20, 2026 TIFF 2026 Review: You Have to Respect the Hustle in Deanté Gray’s Vibrant “Voices”
September 19, 2026 TIFF 2026 Interview: Hanaël El Yousfi on Starting a Dialogue with “The Daughters of Abraham”
September 19, 2026 TIFF 2026 Review: Michaël R Roksam’s Riveting Resistance Drama “Le Faux Soir” is the Real Deal
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
September 9, 2025 TIFF 2025 Review: Everywhere is a Battleground for a Female War Photographer in E. Chai Vasarhelyi and Jimmy Chin’s Compelling “Love + War”
October 8, 2021 Jimmy Chin and E. Chai Vasarhelyi on Charting the Mechanics of the Impossible in “The Rescue”
October 1, 2018 Interview: Alex Honnold and E. Chai Vasarhelyi on the Partnerships That Made “Free Solo” So Majestic
