September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 20, 2026 TIFF 2026 Review: You Have to Respect the Hustle in Deanté Gray’s Vibrant “Voices”
September 19, 2026 TIFF 2026 Interview: Hanaël El Yousfi on Starting a Dialogue with “The Daughters of Abraham”
September 19, 2026 TIFF 2026 Review: Michaël R Roksam’s Riveting Resistance Drama “Le Faux Soir” is the Real Deal
September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 20, 2026 TIFF 2026 Review: You Have to Respect the Hustle in Deanté Gray’s Vibrant “Voices”
September 19, 2026 TIFF 2026 Interview: Hanaël El Yousfi on Starting a Dialogue with “The Daughters of Abraham”
September 19, 2026 TIFF 2026 Review: Michaël R Roksam’s Riveting Resistance Drama “Le Faux Soir” is the Real Deal
June 14, 2026 Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc”
February 11, 2023 Santa Barbara Film Fest 2023 Interview: Julia Bales on Going to Parts Unknown in “Followers”
October 3, 2020 Beyond Fest 2020 Review: Beasts Come in All Different Forms in Jim Cummings’ Wildly Entertaining “Wolf of Snow Hollow”
August 29, 2020 Fantasia Fest 2020 Review: A Family Can’t Hold Terror at Bay in the McManus Brothers’ “The Block Island Sound”
August 13, 2019 Interview: Julia Bales on Teeing Up a Difficult Yet Rewarding Conversation in “Golf!”
February 1, 2019 Sundance ’19 Review: There’s Plenty to Envy About Jocelyn DeBoer and Dawn Luebbe’s “Greener Grass”
July 16, 2018 A Face in the Crowd: Jim Cummings is Bringing Down the Gates for Filmmakers By Opening the Doors to a Short to Feature Lab
