September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
September 14, 2026 TIFF 2026 Review: Annie Murphy Couldn’t Be Better in the Deeply Satisfying Rom-Com “All That She Wants”
September 13, 2026 TIFF 2026 Review: Things Start to Not Add Up for a Mathematician in Niki Byrne’s Rousing “The Julia Set”
September 13, 2026 TIFF 2026 Review: Maiken Baird’s “Edward Said: Between Worlds” is a Fitting Tribute to a Scholar Eternally Out of Place
September 12, 2026 TIFF 2026 Interview: John Trengrove on Forming a Perspective in the Sensational “The Taste of Apples”
June 25, 2026 Palm Springs Shortsfest 2026 Interview: Hugo de Sousa, Sarah Whelden and Kelly Wilcox on a Trail That Turns Especially Cold in “Best Friends with the Devil”
August 14, 2023 Fantasia Fest 2023 Interview: Frank Mosley and Hugo de Sousa on Fragile Objects in “Good Condition”
January 27, 2022 Slamdance 2022 Interview: Hugo De Sousa and Frank Mosley on a Wait Well Worth It in “The Event”