August 9, 2026 Locarno Film Fest 2026 Review: A Skate Videographer Tries to Get Her Life in Line in Erin Vassilopoulos’ Gloriously Gritty “Destroy All Girls”
August 9, 2026 Locarno Film Fest 2026 Review: Mohanad Yaqubi’s “Revolutionaries Never Die” Offers a Transcendent Exchange With the Legendary Lebanese Filmmaker Jocelyne Saab
August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
August 9, 2026 Locarno Film Fest 2026 Review: A Skate Videographer Tries to Get Her Life in Line in Erin Vassilopoulos’ Gloriously Gritty “Destroy All Girls”
August 9, 2026 Locarno Film Fest 2026 Review: Mohanad Yaqubi’s “Revolutionaries Never Die” Offers a Transcendent Exchange With the Legendary Lebanese Filmmaker Jocelyne Saab
August 7, 2026 Locarno Film Fest 2026 Review: Love Can Be a Curse in Cristóbal León and Joaquín Cociña’s Spellbinding “Donkey Princess”
August 7, 2026 Locarno Film Fest 2026 Review: Fanny Liatard and Jérémy Trouilh’s “Les Yeux Verts (The Green Eyes)” Offers a Unique Vision on the Plight of Immigrants
September 17, 2022 TIFF 2022 Review: “The Grab” Gets Resourceful in Capturing a Dramatic Shift in Global Food Supply Chains
September 11, 2019 TIFF ’19 Review: Gabriela Cowperthwaite’s “The Friend” Shows a Rare Bit of Kindness
July 19, 2013 Interview: Gabriela Cowperthwaite on Tackling a Whale of a Problem in the Riveting “Blackfish”
