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Dear Comrades

Festivals

The 25 Fall Festival Films You Can – and Should – See at Home

A unique opportunity has opened up to see the best films of 2020 early on your own time from your own couch.

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Reviews Venice Film Festival

Venice Film Fest 2020 Review: A Shadowy System is Cast in a Refreshing New Light in Andrei Konchalovsky’s “Dear Comrades”

A workers' strike that the Soviet Union resolved with violence and remained a secret for 30 years speaks to the world we live in today with this revelatory drama.

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Edson Oda on Making Memories in “Nine Days”

Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

Braden King on Looking to the Land for Opportunity in “The Evening Hour”

Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

Maria Gabriela Cardenas on a Family Affair Full of Fear in “A Dark Foe”

Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Braden King on Looking to the Land for Opportunity in “The Evening Hour”

Dear Comrades

The 25 Fall Festival Films You Can – and Should – See at Home

Venice Film Fest 2020 Review: A Shadowy System is Cast in a Refreshing New Light in Andrei Konchalovsky’s “Dear Comrades”

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