DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
CannesReviews·3 min readCannes 2023 Review: A Society’s Pain is Resurfaced in Amat Escalante’s “Lost in the Night”
CannesReviews·2 min readCannes 2023 Review: Delphine Deloget’s “All to Play For” is Worth Making Time For
CannesReviews·2 min readCannes 2023 Review: A Gumshoe Walks in His Brother’s Footsteps in Claude Schmitz’s Mischievous “The Other Laurens”
CannesReviews·2 min readCannes 2023 Review: Elena Martín Gimeno’s “Creatura” Puts a Twist in Seeing Sexuality as a Beast
CannesReviews·3 min readCannes 2023 Review: “Firebrand” Gives the Royal Treatment to the Ugly Affairs of a Kingdom
CannesReviews·3 min readCannes 2023 Review: A Conversation About Cinema’s Future Breaks Out of Lubna Playoust’s “Room 999”
CannesReviews·3 min readCannes 2023 Review: A History of Resilience Blossoms in “Crowra (The Buriti Flower)”
CannesReviews·3 min readCannes 2023 Review: Felipe Gálvez’s “The Settlers” Thrillingly Takes History Into Uncharted Territory
CannesReviews·2 min readCannes 2023 Review: A Trio Warms to Each Other in Anthony Chen’s Tender Travelogue “The Breaking Ice”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”