October 14, 2026 Susanne Rostock and Carmen Perez on Honoring a Legacy of Pushing for Social Progress in “Following Harry”
October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 11, 2026 TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
October 14, 2026 Susanne Rostock and Carmen Perez on Honoring a Legacy of Pushing for Social Progress in “Following Harry”
October 12, 2026 TIFF 2026 Review: There’s No Rest for the Wicked in Wayne Wang’s Delicious Drama “Diary of a Mad Old Man”
October 11, 2026 TIFF 2026 Review: A Witch Hunt Reveals the Makings of Other Monsters in May el-Toukhy’s Staggering “Woman Unknown”
July 15, 2021 Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
July 13, 2021 Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
July 12, 2021 Cannes 2021 Review: Anita Rocha da Silveira’s Subversive “Medusa” Sees Through Blind Faith
July 11, 2021 Cannes 2021 Interview: Antoneta Alamat Kusijanovic on Living at the Edge of the World in “Murina”
July 11, 2021 Cannes 2021 Review: A Legacy of Trauma is Passed Down in Kornél Mundruczó and Kata Wéber’s Powerful “Evolution”
July 11, 2021 Cannes 2021 Interview: Kira Kovalenko on Locating Family Dynamics in the Gripping “Unclenching the Fists”
July 11, 2021 Cannes 2021 Review: You’ll Come to Care About Julie Lecoustre and Emmanuel Marre’s “Zero Fucks Given”
July 10, 2021 Cannes 2021 Review: A Woman Risks Her Body to Save a Soul in Laura Samani’s Absorbing “Piccolo Corpo”
