CannesReviews·2 min readCannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes·8 min readCannes 2021 Interview: Diego Marcon on Working All the Angles in “The Parents’ Room”
CannesReviews·2 min readCannes 2021 Review: Anita Rocha da Silveira’s Subversive “Medusa” Sees Through Blind Faith
CannesReviews·3 min readCannes 2021 Review: A Legacy of Trauma is Passed Down in Kornél Mundruczó and Kata Wéber’s Powerful “Evolution”
CannesReviews·2 min readCannes 2021 Review: You’ll Come to Care About Julie Lecoustre and Emmanuel Marre’s “Zero Fucks Given”
CannesReviews·2 min readCannes 2021 Review: A Gymnast’s Backbone is Tested in Elie Grappe’s Formidable “Olga”
CannesReviews·2 min readCannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
CannesInterviews·6 min readCannes 2021 Interview: Antoneta Alamat Kusijanovic on Living at the Edge of the World in “Murina”
CannesInterviews·6 min readCannes 2021 Interview: Kira Kovalenko on Locating Family Dynamics in the Gripping “Unclenching the Fists”
CannesReviews·2 min readCannes 2021 Review: A Woman Risks Her Body to Save a Soul in Laura Samani’s Absorbing “Piccolo Corpo”
CannesReviews·2 min readCannes 2021 Review: A Kidnapping Reveals a Lost Generation in the Harrowing “La Civil”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”
