February 11, 2026 Sundance 2026 Review: The Real Journey Begins After Migration Ends in Itab Azzam and Jack MacInnes’ Compelling “One in a Million”
February 11, 2026 Sundance 2026 Review: Hossein Keshavarz and Maryam Ataei’s “The Friend’s House is Here” Offers a Warm Welcome to a Place Artists Aren’t Often
February 9, 2026 Sundance 2026 Review: Judd Ehrlich’s “Jane Elliott Against the World” Demonstrates the Power of Persistence
February 11, 2026 Sundance 2026 Review: The Real Journey Begins After Migration Ends in Itab Azzam and Jack MacInnes’ Compelling “One in a Million”
February 11, 2026 Sundance 2026 Review: Hossein Keshavarz and Maryam Ataei’s “The Friend’s House is Here” Offers a Warm Welcome to a Place Artists Aren’t Often
February 9, 2026 Sundance 2026 Review: Judd Ehrlich’s “Jane Elliott Against the World” Demonstrates the Power of Persistence
May 31, 2022 “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen
February 27, 2020 ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon
May 29, 2019 Interview: Hepi Mita & Chelsea Winstanley on Finding a Groundbreaking Filmmaker in the Family in “Merata: How Mum Decolonized the Screen”
March 31, 2019 Interview: Blitz Bazawule on Unearthing a Culture’s Untapped Wealth in “The Burial of Kojo”
