May 20, 2026 Cannes 2026 Review: The Consciousness of a Tragedy Takes Shape in Fascinating Ways in Bruno Santamaria Razo’s Brilliant “Six Months in a Pink and Blue Building”
May 20, 2026 Cannes 2026 Review: “Dernsie: The Amazing Life of Bruce Dern” Finally Casts an Actor in the Right Light
May 20, 2026 Cannes 2026 Review: Jorge Thielen Armand’s “Death Has No Master” Eerily Brings the Stain of a Colonial Past Into the Present
May 20, 2026 Cannes 2026 Review: The Consciousness of a Tragedy Takes Shape in Fascinating Ways in Bruno Santamaria Razo’s Brilliant “Six Months in a Pink and Blue Building”
May 20, 2026 Cannes 2026 Review: “Dernsie: The Amazing Life of Bruce Dern” Finally Casts an Actor in the Right Light
May 20, 2026 Cannes 2026 Review: Jorge Thielen Armand’s “Death Has No Master” Eerily Brings the Stain of a Colonial Past Into the Present
March 8, 2026 True/False 2026 Review: Naveen Chaubal’s “Pinball” Yields an Unusually Moving Portrait of Resettlement
March 7, 2026 True/False 2026 Review: “The Great Experiment” Crisply Captures America at a Crisis Point
March 7, 2026 True/False 2026 Review: A Movement Requires Memory in Yael Bridge’s “Who Moves America”
March 6, 2026 True/False 2026 Review: “Phenomena” Exuberantly Presents the Tiny Universes All Around Us
March 6, 2026 True/False 2026 Review: Carolina Gonzalez Valencia’s “How to Clean a House in Ten Easy Steps” Uses Imagination to Make Sense of a Messy Situation
April 23, 2025 San Francisco Film Festival 2025 Review: A Generation of Young Bosnian Men Race Towards the Future in Ryan Sidhoo’s Inspiring “The Track”
March 4, 2025 True/False 2025 Review: Myrid Carten Finds Blistering Beauty in the Fractured Family Portrait “A Want in Her”
March 2, 2025 True/False 2025 Review: “WTO ‘99” Powerfully Demonstrates the Lasting Impact of a Contentious Protest
March 1, 2025 True/False 2025 Review: Sasha Wortzel’s “River of Grass” Opens Up a Flood of Sensations
March 5, 2024 True/False 2024 Review: A Search for Answers Leads to Fascinating Questions in “Seeking Mavis Beacon”
March 5, 2024 True/False 2024 Review: A City of High-Rises Threatens to Clip an Artist’s Wings in Elizabeth Nichols’ “Flying Lessons”
