October 5, 2026 Beyond Fest 2026 Review: A Fierce George MacKay Leads Paul Wright’s Propulsive “Mission”
October 3, 2026 New/Next Festival 2026 Review: Harrison Atkins’ Unnerving “Sour Minnows” Slips Into the Psyche
October 3, 2026 New/Next Fest 2026 Review: A Young Girl Learns to Move Mountains in Mylissa Fitzsimmons’ Poignant “Mackenzie”
October 5, 2026 Beyond Fest 2026 Review: A Fierce George MacKay Leads Paul Wright’s Propulsive “Mission”
October 3, 2026 New/Next Festival 2026 Review: Harrison Atkins’ Unnerving “Sour Minnows” Slips Into the Psyche
October 3, 2026 New/Next Fest 2026 Review: A Young Girl Learns to Move Mountains in Mylissa Fitzsimmons’ Poignant “Mackenzie”
March 4, 2024 True/False 2024 Review: Lana Wilson’s “Look Into My Eyes” Is a Mesmerizing Portrait of Psychics
March 2, 2024 True/False 2024 Review: A Gloriously Full Picture Emerges in Rachel Elizabeth Seed’s “A Photographic Memory”
March 1, 2024 True/False 2024 Review: Emily Mkrtichian’s “There Was, There Was Not” Is a Bold Act of Narrative Resistance
March 6, 2023 True/False 2023 Review: A Chorus Rises for a Pop Star’s Political Ambitions in “Bobi Wine: The People’s President”
March 6, 2023 True/False 2023 Review: Silvia Del Carmen Castaños & Estefanía “Beba” Contreras’ “Hummingbirds” Sets the Mind Aflutter
March 4, 2023 True/False 2023 Review: A Habit Starts to Form in Elizabeth Mirzaei’s Breathtaking “Natalia”
March 4, 2023 True/False 2023 Review: “The Taste of Mango” Delivers a Powerful Love Letter from a Daughter to Her Mother
March 4, 2023 True/False Film Fest 2023 Review: A Village Thought to Be on Death’s Door Comes Alive in Maksym Melnyk’s “Three Women”
March 8, 2020 True/False 2020 Review: Where There’s Smoke, There’s Fire in Marnie Ellen Hertzler’s Blazingly Original “Crestone”
