June 18, 2025 DC/DOX 2025 Interview: Jon Shenk on Following Navy SEALS on a Most Unique Mission to Save Lives in “In Waves and War”
June 17, 2025 Tribeca 2025 Interview: Jason Pollard, Julian Petty and Andrew Theodorakis on What Made Long Island a Home for Hip-Hop in “The Sixth Borough”
June 18, 2025 DC/DOX 2025 Interview: Jon Shenk on Following Navy SEALS on a Most Unique Mission to Save Lives in “In Waves and War”
June 17, 2025 Tribeca 2025 Interview: Jason Pollard, Julian Petty and Andrew Theodorakis on What Made Long Island a Home for Hip-Hop in “The Sixth Borough”
March 6, 2023 True/False 2023 Review: Silvia Del Carmen Castaños & Estefanía “Beba” Contreras’ “Hummingbirds” Sets the Mind Aflutter
March 4, 2023 True/False 2023 Review: A Habit Starts to Form in Elizabeth Mirzaei’s Breathtaking “Natalia”
March 4, 2023 True/False 2023 Review: “The Taste of Mango” Delivers a Powerful Love Letter from a Daughter to Her Mother
March 4, 2023 True/False Film Fest 2023 Review: A Village Thought to Be on Death’s Door Comes Alive in Maksym Melnyk’s “Three Women”
March 8, 2020 True/False 2020 Review: Where There’s Smoke, There’s Fire in Marnie Ellen Hertzler’s Blazingly Original “Crestone”
March 7, 2020 True/False 2020 Review: Even When the Top Official Has Little Control, “Mayor” Speaks With Authority
March 7, 2020 True/False 2020 Review: A Truly Radical Idea to Address Drug Addiction Takes Hold in Mia Donovan’s Gripping “Dope is Death”
March 5, 2019 True/False ’19 Review: James Blagden and Roni Moore Make “Midnight in Paris” a Prom Night to Remember
March 5, 2018 True/False ’18 Review: The Staggering Story of a Son Becoming a Father, Rok Biček Has It All in “The Family”
