DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
InterviewsThe Daily Texan·4 min readFlashback – Interview: Joe Berlinger & Bruce Sinofsky on “Metallica: Some Kind of Monster”
The Daily Texan·6 min readFlashback – Interview: Elmer Bernstein Looks Back and Forward with “Far From Heaven”
TelevisionThe Daily Texan·4 min readFlashback – Interview: Rob Thomas on the Genesis of “Veronica Mars”
The Daily Texan·9 min readFlashback – Interview: Peter Berg on “The Rundown,” His Abandoned “Truck 44,” and Embarking on “Friday Night Lights”
The Daily Texan·8 min readFlashback – The Sky’s the Limit: Carrying on the Tradition of Great Texas Storytelling Through Film
The Daily Texan·9 min readFlashback – The Not-So-Secret Society: How the Austin Film Society Came of Age
The Daily Texan·5 min readFlashback – Wrestling with Perception: How Documentaries Found a Home in Austin
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”