The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

    Stefan Forbes on Negotiating a Constructive Cultural Conversation in “Hold Your Fire”

  • Reviews
    Reviews

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

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Seattle Film Festival

ReviewsSeattle Film Festival

SIFF 2022 Review: “Warm Blood” Has Its Finger on the Pulse

A personal doomsday scenario takes on global implications in Rick Charnoski's mischievous and inventive narrative feature debut.
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ReviewsSeattle Film Festival

SIFF 2022 Review: After Bringing a Child Into the World, a Mother Looks to Her Own Return in “Lullaby”

Laia Costa carries a far greater burden than a newborn in this compelling character study from first-time director Alauda Ruiz De Azúa.
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ReviewsSeattle Film Festival

SIFF 2022 Review: A Gap in a Marriage Brings Together the World in Andrea Brusa and Marco Scotuzzi’s Inventive “Lonely Voices”

A couple pulled apart by the need to make money in a COVID-crippled economy find their long-distance sparring has value in this clever comedy.
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ReviewsSeattle Film Festival

SIFF 2022 Review: Zia Mohajerjasbi’s Arresting “Know Your Place” Explores a City’s Limits

When a teenager is asked to run an errand to the other side of town, it might as well be a world away in this compelling Seattle-set drama.
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InterviewsSeattle Film Festival

SIFF 2022 Interview: Elisa Levine on an Uncompromising Look at Life on the Streets in “Sweetheart Deal”

The co-director of this harrowing doc about a quartet of sex workers on Seattle's Aurora Avenue discusses filming with great sensitivity.
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ReviewsSeattle Film Festival

SIFF 2022 Review: “Are We Lost” Finds Quiet Moments of Connection in a Family Unmoored By Tragedy

A mother struggles to close the gap with one child after another's tragic passing in this affecting, intimate drama.
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ReviewsSeattle Film Festival

SIFF 2022 Review: “The Pez Outlaw” Delightfully Dispenses With Nonfiction Tradition to Get at Another Truth

A Michigan machinist who found a way to work the system to make a million dollars selling rare Pez dispensers gets an equally savvy doc.
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ReviewsSeattle Film Festival

SIFF 2021 Review: “East of the Mountains” Opens Up a Road to Reflection

Tom Skerritt shines as a widower looking to make an exit until he starts letting others in.
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ReviewsSeattle Film Festival

SIFF ’19 Review: Amber McGinnis’ Impressive “International Falls” Finds Comedy on Thin Ice

An aspiring comedian and a frustrated pro inspire each other to take authorship over their jokes rather than feeling like the butt of them in this comedy that isn’t afraid to reach into dark places.
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ReviewsSeattle Film Festival

SIFF ’19 Review: A Modern Romance Comes to Term in Carlos Marques-Marcet’s “The Days to Come”

An unexpected pregnancy leads a couple to think about the lives they want to have in the latest from the director of "10,000 KM."
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Zoe Renee in "Jinn"
ReviewsSeattle Film Festival

SIFF ’18 Review: Nijla Mu’min Breathes New Life into a Coming-of-Age Story in “Jinn”

A mother and her teen daughter start to question their faith in each other when they find religion in this stirring drama.
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Tolga Tekin, Tugce Altug, and Bartu Küçükçaglayan in "Butterflies"
ReviewsSeattle Film Festival

SIFF ’18 Review: Even with a Heavy Conscience, Tolga Karacelik’s “Butterflies” Flutters

A family’s return to see their ailing patriarch feels more like an escape in Tolga Karacelik’s charming Sundance-winning dramedy.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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