May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
February 15, 2024 Berlinale 2024 Review: A Safe Haven is Where You Least Expect It in Levan Akin’s Compassionate “Crossing”
February 12, 2024 Sundance 2024 Review: “Sugarcane” Starts a Conversation Around an Atrocity for Which There Are No Words
February 10, 2024 Rotterdam 2024 Review: Certain Anxieties Can’t Be Passed Down in Ben Petrie’s Cleverly Chaotic “The Heirloom”
January 30, 2024 Sundance 2024 Review: “The Battle of Laikipia” Outlines a Conflict Where the Cows Can’t Come Home
January 26, 2024 Sundance 2024 Review: A Young Prodigy Tries to Get it to All Add Up in Chiwetel Ejiofor’s “Rob Peace”
January 24, 2024 Sundance 2024 Review: An Artist Wonders If a Painful Past Can Be Palatable in “Exhibiting Forgiveness”
January 21, 2024 Sundance 2024 Review: A Triumph Is Seen in All its Complexity in Stephen Maing and Brett Story’s “Union”
