October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
October 30, 2025 Lynsey Addario and Chai Vasarhelyi on Bringing Light to Conflicts at Home and Abroad in “Love + War”
October 30, 2025 Bonni Cohen, Pedro Kos and Jon Shenk on a Moment of Hope for Environmental Movement in “The White House Effect”
October 30, 2025 Maïlys Vallade and Liane-Cho Han on Finding God in the Details of “Little Amélie or the Character of Rain”
May 18, 2024 Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
May 16, 2024 Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
May 15, 2024 Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
May 12, 2024 VC Film Fest 2024 Review: A Wedding of Convenience is Anything But Easy in Jeff Man’s “Paper Marriage”
May 2, 2024 Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
April 28, 2024 San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
April 18, 2024 Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
