Reviews

May 16, 2024

Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”

May 15, 2024

Rúnar Rúnarsson’s Glorious Elegy “When the Light Breaks” Opens Up New Horizons

May 15, 2024

Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”

May 12, 2024

VC Film Fest 2024 Review: A Wedding of Convenience is Anything But Easy in Jeff Man’s “Paper Marriage”

May 5, 2024

The Kids Are Alright in Alain Kassanda’s Inspiring “Coconut Head Generation”

May 2, 2024

Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”

April 28, 2024

San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”

April 18, 2024

Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”

March 25, 2024

SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks

March 25, 2024

SXSW 2024 Review: Katie Mathews’ “Roleplay” Sets the Stage for Candid Conversations About Consent

March 25, 2024

SXSW 2024 Review: Marco Calvani’s “High Tide” Rises Above

March 19, 2024

SXSW 2024 Review: The Birds and the Bees Take Flight for a New Generation in Sara Zandieh’s Zesty “Doin’ It”