May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 22, 2025 Laura Piani and Camille Rutherford on Authoring Their Own Love Story in “Jane Austen Wrecked My Life”
May 22, 2025 Cannes 2025 Review: History is Left Up to Chance in Mateo Zoppis and Alessio Rigo de Righi’s Playful and Poignant “Heads or Tails?”
May 21, 2025 Cannes 2025 Review: Where There’s a Wheel, There’s a Way in Lloyd Lee Choi’s Splendid “Lucky Lu”
May 18, 2024 Cannes 2024 Review: Tyler Taormina’s “Christmas Eve at Miller’s Point” is a Gift That Keeps On Giving
May 16, 2024 Cannes 2024 Review: Soldiers Confront a Fight They Didn’t Sign Up For in Roberto Minervini’s Thoughtful War Drama “The Damned”
May 15, 2024 Cannes 2024 Review: A Hunt for a War Criminal Becomes a Search for Peace of Mind in Jonathan Millet’s Haunting “Ghost Trail”
May 12, 2024 VC Film Fest 2024 Review: A Wedding of Convenience is Anything But Easy in Jeff Man’s “Paper Marriage”
May 2, 2024 Hot Docs 2024 Review: A Family of Immigrants Look for Direction in Agnieszka Zwiefka’s Striking “Silent Trees”
April 28, 2024 San Francisco Film Fest 2024 Review: A Consciousness of Others Takes Root in Nicholas Ma’s Endearing “Mabel”
April 18, 2024 Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
March 25, 2024 SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
