September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 20, 2026 TIFF 2026 Review: You Have to Respect the Hustle in Deanté Gray’s Vibrant “Voices”
September 19, 2026 TIFF 2026 Interview: Hanaël El Yousfi on Starting a Dialogue with “The Daughters of Abraham”
September 19, 2026 TIFF 2026 Review: Michaël R Roksam’s Riveting Resistance Drama “Le Faux Soir” is the Real Deal
September 21, 2026 Venice Film Fest 2026 Review: Michael Dweck and Gregory Kershaw’s “Burgundy” Takes a Delicious Lay of the Land
September 20, 2026 TIFF 2026 Review: You Have to Respect the Hustle in Deanté Gray’s Vibrant “Voices”
September 19, 2026 TIFF 2026 Interview: Hanaël El Yousfi on Starting a Dialogue with “The Daughters of Abraham”
September 19, 2026 TIFF 2026 Review: Michaël R Roksam’s Riveting Resistance Drama “Le Faux Soir” is the Real Deal
February 13, 2013 Interview: Jon Alpert and Matthew O’Neill Seek “Redemption” in Their Oscar-Nominated Short About NY Gleaners
January 1, 2013 A Brief History of Self-Financed Oscar Campaigns: Five Award Aspirants That Paid Their Own Way
February 24, 2012 “The Last Frontier”: This Year’s Cassavetes Spirit Award Nominees on Their Wild First Day of Shooting
February 22, 2012 Shaking Off Oscar Cynicism at an Evening of Academy Award-Nominated Shorts Hosted by Brad Bird
September 19, 2011 See Herzog’s “Into the Abyss,” the Complete “Paradise Lost 3” Early in L.A. – A Full List of Doc Oscar Runs
