DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
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Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
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Uncategorized·2 min readTrue/False ’19 Review: Ise Shinichi’s “Home, Sweet Home” is a Touching Family Portrait 35 Years in the Making
Festivals·7 min readTrue/False ’17 Dispatch #2: “Stranger in Paradise,” “Communion,” “Miss Kiet’s Children,” and “Brimstone & Glory”
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