Josh Lambert, Yvonne Lambert and Toto Miranda of The Octopus Project on Bringing Out the Beauty of Bigfoot in “Sasquatch Sunset”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
InterviewsTribeca Film Festival·12 min readTribeca ’16 Interview: Jenny Gage & Tom Betterton on Bringing Out Beauty in “All This Panic”
InterviewsTribeca Film Festival·12 min readTribeca ’16 Interview: Sophia Takal on Harnessing Darkness for “Always Shine”
InterviewsTribeca Film Festival·7 min readTribeca ’16 Interview: Justin Tipping on Getting His “Kicks”
InterviewsTribeca Film Festival·11 min readInterview: Rachel Tunnard, Jodie Whittaker & Rachael Deering on Learning “Adult Life Skills”
Interviews·8 min readInterview: Anders Thomas Jensen on Birthing the Delightfully Deranged “Men & Chicken”
Interviews·10 min readInterview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”
InterviewsSXSWUncategorized·7 min readInterview: Joe Manganiello on the Ad-Lib That Re-Routed “Pee-Wee’s Big Holiday”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”