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November 18, 2024

DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”

November 18, 2024

DOC NYC 2024 Review: Ondi Timoner’s “All God’s Children” Identifies a Shared Belief in a Higher Calling

November 17, 2024

DOC NYC 2024 Review: A Comedian Can No Longer Mask His Anger in Josh Forbes’ “Gallagher”

November 16, 2024

DOC NYC 2024 Interview: Miriam Guttmann on the Footsteps Towards Finding Peace Amidst an Unending War in Ukraine in “Front Row”

A scene from Damien Chazelle's "La La Land"

December 14, 2016

Interview: Cinematographer Linus Sandgren on Lighting Up “La La Land”

Gary Clark Jr. in "Two Trains Runnin'"

December 2, 2016

Interview: Sam Pollard on Laying the Track for the Powerful “Two Trains Runnin'”

A scene from Lucile Hadžihalilović's "Evolution"

November 25, 2016

Interview: Lucile Hadžihalilović on the Natural Reorientation of “Evolution”

A scene from Julie Dash's "Daughters of the Dust"

November 23, 2016

Interview: Julie Dash on the Coming of Age of “Daughters of the Dust”

Samuele in Gianfranco Rosi's "Fire at Sea"

November 18, 2016

Interview: Gianfranco Rosi on Igniting “Fire at Sea”

Johnny Simmons in "Dreamland"

November 11, 2016

Interview: Robert Schwartzman on His Trip to “Dreamland”

Samantha Robinson in "The Love Witch"

November 10, 2016

Interview: Anna Biller on Casting a Spell with “The Love Witch”

Aaron Paul and Annabelle Wallis in "Come and Find Me"

November 10, 2016

Interview: Aaron Paul & Zack Whedon on Discovering Something New in “Come and Find Me”

Rebecca Hall in "Christine"

October 22, 2016

Interview: Rebecca Hall & Craig Shilowich on Understanding “Christine”

Jumpy the Dog and Ethan Hawke in "In a Valley of Violence"

October 20, 2016

Interview: Ti West on the New Frontier of “In a Valley of Violence”

Michelle Williams in "Certain Women"

October 13, 2016

Interview: Kelly Reichardt on Having the Wind at Her Back in “Certain Women”

Sarah Paulson and Mark Duplass in "Blue Jay"

October 12, 2016

Interview: Alex Lehmann on Making “Blue Jay” Soar