The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

    TIFF 2021 Interview: Mounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”

  • Reviews
    Reviews

    TIFF 2021 Review: Clio Barnard’s Irresistibly Jubilant “Ali & Ava” Charts a Delicate Dance Towards Romance

    TIFF 2021 Review: A Sound Designer Gets Back on Track in Juanjo Giménez’s Moving “Out of Sync”

    TIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    TIFF 2021 Review: History is a Wily Creature in Emre Kayis’ Poignant “Anatolian Leopard”

    TIFF 2021 Review: A Mad Romance Rearranges the Senses in “True Things”

    TIFF 2021 Review: A Musician Must Find His Rhythm Amidst the Blues in Thyrone Tommy’s Rapturous “Learn to Swim”

    Cliff Curtis in "The Dark Horse"

    Interview: James Napier Robertson on Betting on “The Dark Horse”

    Jessica Beshir on Exploring Sacred Spaces in “Faya Dayi”

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The Devil Rode on Horseback

A scene from Ricki Stern and Annie Sundberg's "Marathon"
DOC NYC

DOC NYC ’16 Interview: Ricki Stern on Going the Distance with Survivors of Terrorism in “Marathon”

The co-director of such films as "The Devil Rode on Horseback" and "Joan Rivers: A Piece of Work" talks about shedding light on a little seen aspect of terrorist attacks - recovery.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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