June 14, 2026 DC/DOX 2026 Review: Miniatures Speak to a Much Bigger Life in Anna Fitch’s Inspired “Yo (Love is a Rebellious Bird)”
June 14, 2026 Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc”
June 13, 2026 DC/DOX 2026 Review: An Education Requires a Break from Past Ideas in Jeremy Workman’s Moving “School for Defectors”
June 13, 2026 Tribeca 2026 Interview: Noam Argov and Sappir Argov on Finding an Internal War of the Worlds in “Verse”
June 14, 2026 DC/DOX 2026 Review: Miniatures Speak to a Much Bigger Life in Anna Fitch’s Inspired “Yo (Love is a Rebellious Bird)”
June 14, 2026 Tribeca 2026 Interview: Blake Winston Rice on Finding Truth and Humor in a Shame Spiral in “Disc”
June 13, 2026 DC/DOX 2026 Review: An Education Requires a Break from Past Ideas in Jeremy Workman’s Moving “School for Defectors”
June 13, 2026 Tribeca 2026 Interview: Noam Argov and Sappir Argov on Finding an Internal War of the Worlds in “Verse”
January 26, 2020 Sundance 2020 Review: A Playwright Rewrites Her Future in Radha Blank’s Resplendent “The 40-Year-Old Version”
January 25, 2020 Sundance 2020 Interview: Emily Wilson on Thinking Outside of the Box in “Danny’s Girl”
January 24, 2020 Sundance 2020 Review: Bill and Turner Ross Deliver a Stirring Cocktail with “Bloody Nose, Empty Pockets”
January 24, 2020 Sundance 2020 Interview: Elegance Bratton and Jovan James on a Long Night’s Journey to Day in “Buck”
January 23, 2020 Sundance 2020 Interview: Janet Goldwater and Mike Attie on Answering the Call in “Abortion Helpline, This is Lisa”
