Sundance·5 min readSundance ’19 Interview: Henrik Georgsson on “Stieg Larsson: The Man Who Played with Fire”
ReviewsSundance·2 min readSundance ’19 Review: Lupita Nyong’o Kills ‘Em With Kindness in the Sweet, Subversive Zom-Com “Little Monsters”
ReviewsSundance·2 min readSundance ’19 Review: Power Corrupts in “Selah and the Spades,” But Tayarisha Poe’s Ferocious Debut Has Plenty Of It
ReviewsSundance·3 min readSundance ’19 Review: Passion Carries Joe Talbot’s “The Last Black Man in San Francisco”
ReviewsSundance·3 min readSundance ’19 Review: There’s Plenty to Envy About Jocelyn DeBoer and Dawn Luebbe’s “Greener Grass”
InterviewsSundance·7 min readSundance ’19 Interview: Shola Amoo & Sam Adewunmi on Getting to the Roots of “The Last Tree”
ReviewsSundance·3 min readSundance ’19 Review: Penny Lane’s Riotous “Hail Satan?” is a Monumental Achievement
ReviewsSundance·2 min readSundance ’19 Review: A Family Without a Country Finds a Place in Your Heart in “Midnight Traveler”
InterviewsSundance·5 min readSundance ’19 Interview: Sacha Polak & Vicky Knight on Getting Under the Skin with “Dirty God”
ReviewsSundance·2 min readSundance ’19 Review: A Coming-of-Age Comedy Gets a Grown-Up Twist in “Big Time Adolescence”
InterviewsSundance·8 min readSundance ’19 Interview: Miranda Tapsell, Gwilym Lee and Wayne Blair on Putting a Ring on “Top End Wedding”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”
