Joanna Arnow, Scott Cohen and Babak Tafti on Capturing the Ephemeral in “The Feeling That The Time to Do Something Has Passed”
Review: Tragedy Brings Together People of Different Walks of Life in Hilla Medalia’s “Mourning in Lod”
SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
ReviewsSundance·3 min readSundance ’19 Review: A Towering Journalist Gets Her Due in “Raise Hell: The Life & Times of Molly Ivins”
ReviewsSundance·2 min readSundance ’19 Review: Life Gets Delightfully Messy in Debra Eisenstadt’s “Imaginary Order”
ReviewsSundance·2 min readSundance ’19 Review: Rashaad Ernesto Green’s “Premature” is Wise Beyond Its Years
ReviewsSundance·2 min readSundance ’19 Review: A Different Picture of Violence and Power Develops in Kim Longinotto’s “Shooting the Mafia”
ReviewsSundance·3 min readSundance ’19 Review: Ben Berman Gets to the Truth of an Illusion in “The Untitled Amazing Johnathan Documentary”
ReviewsSundance·3 min readSundance ’19 Review: Liza Mandelup’s “Jawline” Offers a Study of the Social Media Starmaking Machine With Teeth
ReviewsSundance·3 min readSundance ‘19 Review: The Balance or Power Shifts in Minhal Baig’s Mighty “Hala”
ReviewsSundance·2 min readSundance ’19 Review: A Health Care Emergency Gets Wheels in “Midnight Family”
InterviewsSundance·7 min readSundance ’19 Interview: Musa Syeed on a Modern Portrait of an Ancient Faith Healer in “The Dispossessed”
ReviewsSundance·3 min readSundance ’19 Review: A Picture Tells a Thousand Lies in the Beguiling “The Disappearance of My Mother”
InterviewsSundance·10 min readSundance ’19 Interview: Carlen May-Mann on Exposing the Trap with “The Rat”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”