SXSW 2024 Review: “Dory Previn: On My Way to Where” Charts the Journey of a Musician Who Brought Together Different Tracks
Composer Kathryn Bostic on Making Silents Golden with “The Flying Ace” and “Something Good – Negro Kiss”
Interviews·11 min readStriking a Match: How the Firelight Lab Amplified the Voices of the Underrepresented in the Documentary World
InterviewsSundance·10 min readSundance ’19 Interview: Carlen May-Mann on Exposing the Trap with “The Rat”
ReviewsSundance·3 min readSundance ’19 Review: A Picture Tells a Thousand Lies in the Beguiling “The Disappearance of My Mother”
InterviewsSundance·7 min readSundance ’19 Interview: Musa Syeed on a Modern Portrait of an Ancient Faith Healer in “The Dispossessed”
ReviewsSundance·2 min readSundance ’19 Review: A Health Care Emergency Gets Wheels in “Midnight Family”
ReviewsSundance·3 min readSundance ‘19 Review: The Balance or Power Shifts in Minhal Baig’s Mighty “Hala”
InterviewsSundance·14 min readSundance ’19 Interview: Geoff Marslett on a Ride to Remember with “The Phantom 52”
ReviewsSundance·3 min readSundance ’19 Review: Ben Berman Gets to the Truth of an Illusion in “The Untitled Amazing Johnathan Documentary”
ReviewsSundance·2 min readSundance ’19 Review: A Different Picture of Violence and Power Develops in Kim Longinotto’s “Shooting the Mafia”
ReviewsSundance·2 min readSundance ’19 Review: Rashaad Ernesto Green’s “Premature” is Wise Beyond Its Years
ReviewsSundance·2 min readSundance ’19 Review: Life Gets Delightfully Messy in Debra Eisenstadt’s “Imaginary Order”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”