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Ryuchi Sakamoto

TIFF ‘19 Review: Alice Winocour’s Sensational “Proxima” Has Real Gravitational Pull

Eva Green reaches new heights in this tale of an astronaut caught in limbo between inspiring her young daughter and being present for her in the here and now.

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TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

TIFF 2021 Interview: Mounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”

TIFF 2021 Interview: Kate Dolan, Hazel Doupe and Carolyn Bracken on the Horror at Home in “You Are Not My Mother”

TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

TIFF 2021 Review: “Montana Story” Lets It All Out in the Open

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

TIFF 2021 Review: “Farha” Sheds Light on the Burden of Bearing Witness

Interview: Kim Basinger & Anders Morgenthaler on Taking the Time to Make “The 11th Hour”

TIFF 2021 Review: “Montana Story” Lets It All Out in the Open

Interview: Chad Hartigan on Crafting the Big Feelings of “Little Fish”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Ryuchi Sakamoto

TIFF ‘19 Review: Alice Winocour’s Sensational “Proxima” Has Real Gravitational Pull

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies