The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Natalia Meta on Sneaking Into Your Soul with “The Intruder”

    Laura Wandel on the World of Preparation That Went Into “Playground”

    Aly Muritiba on Risking Danger for Romantic Refuge in “Deserto Particular”

  • Reviews
    Reviews

    DOC NYC 2021 Review: Holly Morris’ “Exposure” Charts an Expedition That Can’t Be Measured in Miles

    DOC NYC 2021 Review: A Football Team Has Plenty to Tackle Off the Field in “Messwood”

    DOC NYC 2021 Review: What’s In a Name Leaves a Lot to Answer For in “Grandpa Was an Emperor”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    How Joan Micklin Silver’s “Hester Street” Transcended the Idea of Hollywood Being a One-Horse Town

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

  • Trending
    NowWeekMonth

    Torquil Jones and Nirmal Purja on a Life Moving Mountains in “14 Peaks: Nothing is Impossible”

    Rex Miller on Celebrating the Transcendence of Arthur Ashe in “Citizen Ashe”

    DOC NYC 2021 Interview: Tom Donahue on Crafting a Warm Tribute in “Dean Martin: King of Cool”

    Max Lowe on How Filmmaking Could Capture — and Facilitate — His Family Rebuilding Itself in “Torn”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

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Return to Homs

A scene from Talal Derki's "Of Fathers and Sons"
ReviewsSundance

Sundance ’18 Review: “Of Fathers and Sons” Offers an Unflinching Look at How Hate is Passed Down in Syria

A chilling observation of a family of Islamic fundamentalists shows how young boys are shaped by being born into a life of violence.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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