DC/DOX 2024 Review: A.J. Schnack’s “Majority Rules” is a Political Doc That Separates Itself From the Pack
Tribeca 2024 Review: It Can Feel Lonely in a Friendship in Joel Potrykus’ Unexpectedly Poignant “Vulcanizadora”
Tribeca 2024 Review: Solving a Case Starts to Look Like a Crime in Nnamdi Asomugha’s Gripping Thriller “The Knife”
Interviews·12 min readPenny Lane on Contributing to Something Greater in “Confessions of a Good Samaritan”
InterviewsTIFF·11 min readTIFF 2021 Interview: Penny Lane on Exploring the Rougher Edges Around the Popularity of Smooth Jazz in “Listening to Kenny G”
ReviewsSundance·3 min readSundance ’19 Review: Penny Lane’s Riotous “Hail Satan?” is a Monumental Achievement
ReviewsSXSW·2 min readSXSW 2023 Review: No Good Deed Goes Unpunished in “Confessions of a Good Samaritan”
ReviewsSXSW 2012·3 min readSXSW ’13 Review: Desensationalizing History in the Otherwise Sensational “Our Nixon”
Film NewsTo Live and Screen in L.A.·3 min readJoe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
Interviews·7 min readInterview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”