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Olivia Humphrey

Interview: Olivia Humphrey on Bringing the Arthouse to Your House — for Free — with Kanopy

On how free streaming access to the Criterion Collection and the crème de la crème of world and American indie cinema is available through your public library card.

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Hogir Hirori and Antonio Russo Merenda on Capturing the Lives in Limbo in “Sabaya”

Edson Oda on Making Memories in “Nine Days”

Joshua Leonard and Jess Weixler on Kidding Around While You Can in “Fully Realized Humans”

Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”

Cannes 2021 Review: Na Jiazuo’s “Streetwise” Takes the Road Less Traveled

Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

“Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”

Hogir Hirori and Antonio Russo Merenda on Capturing the Lives in Limbo in “Sabaya”

Braden King on Looking to the Land for Opportunity in “The Evening Hour”

Playing God: 13 Actors Who Dared To Be the Deity in Movies

Olivia Humphrey

Interview: Olivia Humphrey on Bringing the Arthouse to Your House — for Free — with Kanopy

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies