The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    TIFF 2021 Interview: Agustina San Martín on Having Mercy in “To Kill the Beast”

    TIFF 2021 Interview: Mounia Akl on Turning the Imposition of Trash Into a Film to Treasure in “Costa Brava, Lebanon”

  • Reviews
    Reviews

    TIFF 2021 Review: A Musician Must Find His Rhythm Amidst the Blues in Thyrone Tommy’s Rapturous “Learn to Swim”

    TIFF 2021 Review: A Mad Romance Rearranges the Senses in “True Things”

    TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

    ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

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    TIFF 2021 Review: A Mad Romance Rearranges the Senses in “True Things”

    Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

    TIFF 2021 Review: Arsalan Amiri’s “Zalava” is a Devil of a Good Time

    TIFF 2021 Interview: Rodrigo Plá on Finding a New Way to Look at “The Other Tom”

    Melora Waters and Jeffrey DeMunn in "The Amaranth"

    Austin Film Fest ’18 Review: “The Amaranth” Never Grows Old

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Mickey and the Bear

Interviews

Interview: Annabelle Attanasio on the Role Reversals of “Mickey and the Bear”

The writer/director talks about working with actors after transitioning behind the camera and turning a father-daughter relationship drama on its ear.
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ReviewsSXSW

SXSW ’19 Review: Joining a Young Woman at a Crossroads, “Mickey and the Bear” Takes the Right Path

A strong lead performance from Camila Morrone drives Annabelle Attanasio's delicate and moving debut.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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