The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Christos Nikou on Cutting to the Core in “Apples”

    Peter Strickland on Going With His Gut in “Flux Gourmet”

    BAMcinemafest 2022 Interview: Lynne Sachs and Paolo Javier on Crafting a Clever Turn of Phrase with “Swerve”

  • Reviews
    Reviews

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

    Tribeca 2022 Review: “Lowndes County and the Road to Black Power” Illuminates the Importance of the Vote in the Deep South

    Tribeca 2022 Review: The Thrill of the Chase Can Be Addictive in Daniel Antebi’s “God’s Time”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    “All My Work is the Desire to Live Fully, To Grab it and to Swallow Life”: Mira Nair on a Career Showing the Unseen

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

  • Trending
    NowWeekMonth
    Natalia Dyer and Peter Vack in "I Believe in Unicorns"

    Interview: Leah Meyerhoff, Natalia Dyer & Peter Vack on “I Believe in Unicorns”

    Tribeca 2022 Review: “Of Medicine and Miracles” Brings the Excitement of a Scientific Breakthrough From the Inside Out

    Cliff Curtis in "The Dark Horse"

    Interview: James Napier Robertson on Betting on “The Dark Horse”

    “Every Day Was Like, ‘How Do We Pull This Off?'” Martin Brest on “Midnight Run”

    Tribeca 2022 Review: “Unfinished Business” Captures Net Gains for Women’s Basketball

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Matt Wolf

Interviews

Interview: Matt Wolf on Getting to the Higher Ground of “Spaceship Earth”

The director talks about discovering a group whose ambitions of reimagining the world were limited by how they were portrayed by the one we live in now.
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Bayard Rustin and Walter Naegle in "Bayard in Me"
Outfest

Outfest ’17 Interview: Matt Wolf on the Ingenuity Behind “Bayard and Me”

The director talks about discovering the civil rights activist who outsmarted authorities to secure protections for himself and his partner when gay marriage wasn't legal.
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ReviewsSundance

Sundance 2020 Review: Matt Wolf Finds the Reality in the Beautiful Dream of “Spaceship Earth”

A project looking towards sustainable life on Mars runs into the smaller imaginations of those here on Earth in the "Teenage" director's fascinating look at Biosphere 2.
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Matt Wolf's "Teenage"
Interviews

Interview: Matt Wolf on Investigating the Best of Youth With “Teenage”

On telling the story of the evolution of teen culture in an intimate way and the four-year process to get it to the screen.
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Interviews

Interview: Matt Wolf on How History is Made with “Recorder: The Marion Stokes Project”

On how an obsessive TV viewer went from capturing the first draft of history to having a say in what ultimately will be written in recording the news.
Read Story
  • Contact Us
Copyright 2011 The Moveable Fest

Zeen Trending

Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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