Cannes 2021 Review: A Cartel Leaves a Community on Edge in Tatiana Huezo’s Absorbing “Prayers for the Stolen”
Cannes 2021 Review: The Present Takes On Unexplored Dimensions in Saul Williams and Anisia Uzeyman’s Wondrous “Neptune Frost”
Tribeca 2020 Review: An Ex-Con Can’t Just Pick Up Where Life Left Off in Sabrina Doyle’s Lovely Drama “Lorelei”
Interview: Benjamin Ree, Barbora Kysilkova and Karl-Bertil Nordland on Shifting Perspectives with “The Painter and the Thief”
InterviewsInterview: Arthur Jones & Giorgio Angelini on Putting a Human Face on Pepe the Frog in “Feels Good Man”After millions of others attach their own meaning to the popular meme, the filmmakers talk about finding the deeper meaning in it in this captivating doc. Read Story
ReviewsSundanceSundance 2020 Review: A Nation’s Anxiety is Revealed in Arthur Jones’ Diverting “Feels Good Man”A wildly entertaining look at how the seemingly benign creation of Pepe the Frog was weaponized to sow cultural divisions. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
