The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Ajitpal Singh on a Family Living on the Edge in “Fire in the Mountains”

  • Reviews
    Reviews

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: A Broken Heart Takes Time to Mend in Lea Mysius’ Enthralling “The Five Devils”

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

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    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

    Interview: Taika Waititi on “Boy,” the Boredom of Acting and the Excitement of Childhood

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    John Gallagher Jr. in "Hush"

    Interview: Kate Siegel & Mike Flanagan on Finding that Silence is Golden in “Hush”

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Lauren Opelt

Jocelyn DeBoer and Dawn Luebbe in "Greener Grass"
ReviewsSundance

Sundance ’19 Review: There’s Plenty to Envy About Jocelyn DeBoer and Dawn Luebbe’s “Greener Grass”

A thoroughly deranged satire of suburban life and repressed ambition makes total sense under the solid and fresh direction of a multitalented duo.
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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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