The writer/director of one of the year's most breathtaking films talks about the wait to get his directorial debut just right, the film's muted color palette, and his love of horror but distaste for gore.
On finding a way to depict the magic of dancing towards becoming a teen from a director on the move.
A Face in the Crowd: Jody Lee Lipes, Ellen Bar and Anna Holmer Take You Inside the NYC Ballet in “Ballet 422”
A rare peek inside a New York City Ballet production needs your support.
A portrait of the New York City Ballet as elegant as its dancers onstage.