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James Gandolfini

L.A. Film Fest ’13: Spike Jonze on Sendak’s Influence, Gandolfini and His New Film “Her”

The "Being John Malkovich" and "Where the Wild Things Are" director spoke of his relationships with the late Maurice Sendak and James Gandolfini during a wide-ranging conversation with David O. Russell at the Los Angeles Film Festival Saturday night.

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John Magaro and Bella Heathcote in David Chase's "Not Fade Away"

Austin Film Festival

Austin Film Fest ’12 Review: “Sopranos”‘ Chase Rolls Into Rock With Directorial Debut “Not Fade Away”

After mastering one medium, the creator of "The Sopranos" and "Northern Exposure" gets personal with his first film, a passionate, tough love letter to Jersey and making it in the music business.

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Festivals Reviews Toronto Film Festival 2011

TIFF ’11 Review: When Girls Just Want to Have Fun…With Guns in Geoffrey Fletcher’s Audacious “Violet & Daisy”

A odd beast of a film that actually delivers, the "Precious" screenwriter's directorial debut is a surprising amount of fun for a somber, surreal tale of two teen assassins who wake up to their lives during what should be a routine hit.

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Interviews

Interview: Geoffrey Fletcher on Doing Something Different, Really Different With “Violet & Daisy”

The Oscar-winning screenwriter behind "Precious" talks about his darkly funny and strangely transporting directorial debut about a pair of celeb-obsessed hit girls.

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The Mentaculist

Extremely Reduced & Incredibly Diminished: Movie Characters Who Were Cut Out of the Final Film

By not making the final cut of "Extremely Loud and Incredibly Close," James Gandolfini joins a fairly illustrious club of actors who have seen major roles cut down to size.

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Tribeca 2021 Interview: Max Eriksson on Coming Up for Air in “The Scars of Ali Boulala”

Tribeca 2021 Interview: Marcus McKenzie & Daniel Principe on Raising a Question of Taste in “Last Meal”

How Mark Duplass and Mel Eslyn Got Creative to Make Progress in a Pandemic

Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”

Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

Matt Damon: A Career in Cameos

Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
“Fast & Furious” Franchise

How to Be a Los Angeles Cinephile in 2020 – Even If You’re From Outside of Town

ARRAY is Making It An Extra-Super Tuesday in L.A. with the “For the People” Free Movie Marathon

A Life in Cinema Carries On with “Varda by Agnès”

How Mark Duplass and Mel Eslyn Got Creative to Make Progress in a Pandemic

Tribeca 2021 Review: There’s Truly No Place Like Home in Gaysorn Thavat’s Admirably Irreverent “The Justice of Bunny King”

Tribeca 2021 Review: A Conductor Creates Harmony Out of Cultural Discord in the Rousing “Bernstein’s Wall”

Tribeca 2021 Review: A Trailblazer Uses Their Platform To Its Fullest in “The Conductor”

Tribeca 2021 Interview: Lauren Hadaway on Having a Row in “The Novice”

James Gandolfini

L.A. Film Fest ’13: Spike Jonze on Sendak’s Influence, Gandolfini and His New Film “Her”

Austin Film Fest ’12 Review: “Sopranos”‘ Chase Rolls Into Rock With Directorial Debut “Not Fade Away”

TIFF ’11 Review: When Girls Just Want to Have Fun…With Guns in Geoffrey Fletcher’s Audacious “Violet & Daisy”

Interview: Geoffrey Fletcher on Doing Something Different, Really Different With “Violet & Daisy”

Extremely Reduced & Incredibly Diminished: Movie Characters Who Were Cut Out of the Final Film

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Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

Playing God: 13 Actors Who Dared To Be the Deity in Movies