July 27, 2026 Fantasia Fest 2026 Review: A Photographer Could Get Lost in the Bath in Corrin Evans’s Artfully Creepy “Corpus”
July 27, 2026 Fantasia Fest 2026 Review: Michael J. Gallagher Finds a Cult Story Worth Following Up on In “The Leader”
July 24, 2026 Fantasia Fest 2026 Review: A Makeup Artist Can’t Patch Up Everything in Nick Taylor’s Riveting and Reflective “Rubberhead: The Life and Monsters of Steve Johnson”
July 27, 2026 Fantasia Fest 2026 Review: A Photographer Could Get Lost in the Bath in Corrin Evans’s Artfully Creepy “Corpus”
July 27, 2026 Fantasia Fest 2026 Review: Michael J. Gallagher Finds a Cult Story Worth Following Up on In “The Leader”
July 24, 2026 Fantasia Fest 2026 Review: A Makeup Artist Can’t Patch Up Everything in Nick Taylor’s Riveting and Reflective “Rubberhead: The Life and Monsters of Steve Johnson”
November 14, 2023 DOC NYC 2023 Interview: Molly O’Brien on Playing All the Way to the Back of the House in “The Only Girl in the Orchestra”
November 14, 2023 DOC NYC 2023 Review: A Life Becomes a Work of Art in Lea Glob’s “Apolonia, Apolonia”
November 14, 2023 DOC NYC 2023 Interview: Ruth Leitman on Giving Audiences the Right to Laugh Along with a Right to Choose in “No One Asked You”
November 12, 2023 DOC NYC 2023 Review: “Uncropped” Leaves Nothing Out of the Frame in a Captivating Portrait of Photographer James Hamilton
November 12, 2023 DOC NYC 2023 Review: “Shari and Lamb Chop” Celebrates a Puppeteer Who Didn’t Always Have the Upper Hand
November 12, 2023 DOC NYC 2023 Review: “Anselm” Brings a Legendary Artist’s Influences to the Surface
November 10, 2023 DOC NYC 2023 Interview: Fernanda Faya on Wrestling with a Hidden History in “Neirud”
