January 23, 2026 Sundance 2026 Review: Mohammed Ali Naqvi’s Rescue Doc “Hanging By a Wire” Will Have You on the Edge of Your Seat
January 23, 2026 Sundance 2026 Review: A Mother Considers the Price of Vengeance in Suzanne Andrews Correa’s Taut Thriller “The Huntress”
January 22, 2026 Sundance 2026 Review: Art Truly Makes a Difference in “American Pachuco: The Legend of Luis Valdez”
January 23, 2026 Sundance 2026 Review: Mohammed Ali Naqvi’s Rescue Doc “Hanging By a Wire” Will Have You on the Edge of Your Seat
January 23, 2026 Sundance 2026 Review: A Mother Considers the Price of Vengeance in Suzanne Andrews Correa’s Taut Thriller “The Huntress”
January 22, 2026 Sundance 2026 Review: Art Truly Makes a Difference in “American Pachuco: The Legend of Luis Valdez”
November 14, 2023 DOC NYC 2023 Interview: Molly O’Brien on Playing All the Way to the Back of the House in “The Only Girl in the Orchestra”
November 14, 2023 DOC NYC 2023 Review: A Life Becomes a Work of Art in Lea Glob’s “Apolonia, Apolonia”
November 14, 2023 DOC NYC 2023 Interview: Ruth Leitman on Giving Audiences the Right to Laugh Along with a Right to Choose in “No One Asked You”
November 12, 2023 DOC NYC 2023 Review: “Uncropped” Leaves Nothing Out of the Frame in a Captivating Portrait of Photographer James Hamilton
November 12, 2023 DOC NYC 2023 Review: “Shari and Lamb Chop” Celebrates a Puppeteer Who Didn’t Always Have the Upper Hand
November 12, 2023 DOC NYC 2023 Review: “Anselm” Brings a Legendary Artist’s Influences to the Surface
November 10, 2023 DOC NYC 2023 Interview: Fernanda Faya on Wrestling with a Hidden History in “Neirud”
