The Moveable Fest
The Moveable Fest
  • Interviews
    Interviews

    Kyle Gallner and Emily Skeggs on Serving Up Subversion in “Dinner in America”

    Bonni Jo Hart on Amping Up a Pioneering Band in “Fanny: The Right to Rock”

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

  • Reviews
    Reviews

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

  • The Mentaculist
    The Mentaculist
    Matt Damon in "Euro Trip"

    Matt Damon: A Career in Cameos

    Independence Day: My Street

    Five Movie Marketing Miscues That Blew Up in All the Wrong Ways

    Lucas Black and Nathalie Kelley in "Fast & Furious: Tokyo Drift"

    Justin Lin on “Tokyo Drift” and the Four Hours That Saved the
    “Fast & Furious” Franchise

  • Retrospective
    Retrospective

    Reclaiming Reality: Mario Van Peebles on Reimagining a City and an Industry in “New Jack City”

    Joachim Trier on “The Worst Person in the World” Epilogue, Freezing Oslo in Time and More with Paul Thomas Anderson

    A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration

  • Trending
    NowWeekMonth

    Cannes 2022 Review: Alexandru Belc’s “Metronom” Impressively Measures the Extent of a Heartbreak

    Cannes 2022 Review: The Terror of a Brutal Regime Hits Home in Manuela Martelli’s Engrossing “1976”

    Cannes 2022 Review: An Actor Gets a Part He’d Rather Not Play in the Curious Conspiracy Thriller “The Green Perfume”

    Cannes 2022 Review: “Les Pires” Reconsiders What An Exploitation Film Is

    Dan Mirvish on Wrangling a Wild Tale of the Tape in “18 1/2”

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Antonio Campos

Rebecca Hall in "Christine"
Interviews

Interview: Rebecca Hall & Craig Shilowich on Understanding “Christine”

The actress and screenwriter talk about breathing life into a complicated woman largely defined by her shocking death.
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Interviews

Interview: Sean Durkin on the Method Behind “Martha Marcy May Marlene”

The writer/director of one of the year's most breathtaking films talks about the wait to get his directorial debut just right, the film's muted color palette, and his love of horror but distaste for gore.
Read Story
Louisa Krause in David Formentin's "Tznuit"
InterviewsSXSW

SXSW ’14 Interview: David Formentin on
His Conversation Starter “Tzniut”

On how a note slipped under the door led to a stirring character study of a Hasidic woman struggling to determine the source of her STD.
Read Story
Interviews

Interview: Antonio Campos & Brady Corbet on Making a Monster in “Simon Killer”

The friends and artistic collaborators spoke about the "constant jigsaw puzzle" of making this tense character study of a young angry American man looking for trouble in Paris.
Read Story
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Copyright 2011 The Moveable Fest

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Film NewsTo Live and Screen in L.A.

Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”

Mildred Loving, Peggy Loving and Richard Loving in "The Loving Story"
Interviews

Interview: Nancy Buirski and Peggy Loving on Finally Getting to Tell “The Loving Story”

The Mentaculist

Playing God: 13 Actors Who Dared To Be the Deity in Movies

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