Sundance 2022 Interview: Rachel Lears on Beating Back Cynicism About the Environmental Crisis in “To The End”
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
A Resolution Comes True: The Making of “Get Crazy,” the Ultimate New Year’s Movie and Its Wild Restoration
Sundance 2022 Review: The Effects of War Ripple Beyond the Battlefield in Simon Lereng Wilmont’s Exquisite “A House Made of Splinters”
Sundance 2022 Review: A History of Slavery Can’t Be Washed Away in Margaret Brown’s Mighty “Descendant”
Interview: Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky on Going to the Ends of the Earth for “Anthropocene: The Human Epoch”
InterviewsTrue/FalseTrue/False ’18 Interview: Director of Photography Alan Jacobsen on Having a Vision for “Strong Island”On devising a camera set-up that would put an interview subject at ease when talking about one of the most painful moments in his life - who happens to be the director of the film. Read Story
Film NewsTo Live and Screen in L.A.Joe Carnahan Talks About the Alternate Ending He Shot For “The Grey”
