November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
November 21, 2024 Crystal Moselle, Derrick B. Harden, and Izabella Tzenkova on Riding the Waves in “The Black Sea”
November 18, 2024 DOC NYC 2024 Interview: Emily Mkrtichian on a Memory That Can’t Be Taken Away in “There Was, There Was Not”
September 3, 2021 Venice Film Fest 2021: A Fight Continues in Alessandro Cassigoli and Casey Kauffman’s Knockout “Californie”
September 2, 2021 Venice Film Fest 2021 Review: “Hallelujah: Leonard Cohen, A Journey, A Song” Hits a Transcendent Note
September 13, 2020 Venice 2020 Review: Hilal Baydarov’s “In Between Dying” Offers the Great Comfort of Strangers
September 10, 2020 Venice Film Fest 2020 Review: A Truly Radical Coming-of-Age Story Unfolds in Julia Von Heinz’s Urgent “And Tomorrow the Entire World”
September 9, 2020 Venice Film Fest 2020 Review: Cold Hard Facts Are Accompanied By Plenty of Warmth in Jing Wang’s Hopeful “The Best is Yet to Come”
September 8, 2020 Venice Film Fest 2020 Review: When a City Burns, Azra Deniz Okyay Summons the Fire Within in the Fierce “Hayaletler”
September 8, 2020 Venice Film Fest 2020 Review: Borders Come in All Forms in Ameen Nayfeh’s Heartfelt “200 Meters”
September 8, 2020 Venice Film Festival 2020 Review: A Look Underground Brings Clarity to the Harsh World Above in Logan George and Celine Held’s Brilliant “Topside”
September 7, 2020 Venice Film Fest 2020 Review: A Shadowy System is Cast in a Refreshing New Light in Andrei Konchalovsky’s “Dear Comrades”
